It only took me two weeks to get this up, but I've got all the pictures I took at the
Wakarusa Music Festival up on
Flickr. I've also set up a
public group for festival pictures if
anyone is interested in sharing their pictures.
I've been to a number of festivals in the last couple of years. This year's Wakarusa festival was one of the best. The weather was absolutely perfect. The drive up to Kansas from Denton and back wasn't bad at all. I drove both ways on this trip and it really didn't seem like a seven hour car ride. Wakarusa is supposed to be a three day festival, but they've had a "pre-festival" lineup both years of the festival's existence. We didn't make it to Lawrence in time to catch any of the Thursday night sets.
Friday started with a quick lunch and a few excellent beers at the Freestate Brewery. We made it out to the festival grounds in time to catch the Gourds set. The Gourds are based out of Austin and make frequent stops at Dan's Silverleaf in Denton. I've been watching this band for a number years and they just get better each time I see them. The first highlight of the festival came when the Gourds ended their set with their infamous cover of Snoop Dogg's Gin & Juice, which included segues into Waylon Jennings' Good Ol' Boys (theme from the Dukes of Hazzard) and Cheap Trick's Surrender.
Next up was Son Volt. Wakarusa had some intriguing elements to the line up this year. Wilco and Son Volt were both in the line up. An early version of the schedule had Jay Farrar and Wilco playing on the same day, back to back on the same stage. Throw in the fact that Max Johnson of the Gourds', who was a founding member of Wilco and a touring member of Uncle Tupelo, and Wakarusa looked like the perfect opportunity for an Uncle Tupelo reunion or at least some cool guest spots. Unfortunately, Jay Farrar pulled out of his solo set on Saturday and the fantasy of seeing some Uncle Tupelo never came to be. As much as I love Son Volt, Jay Farrar doesn't have much stage presence. They played a tight, fast set. Seeing Son Volt live isn't much different then hearing their studio releases. The highlight of the set for me was Drown.
After Son Volt finished up, we made our way out to the campground stage to catch self-described "Hasidic Reggae Superstar," Matisyahu. I would be lying if I claimed that I went to see Matisyahu for any reason other than the novelty. Matisyahu reminds me a bit of Sublime with a little bit of hip-hop thrown in. The lyrics were a bit heavy on the religious side of things, but the band has some talent and can jam with the best of them. Matisyahu was my first new discovery of the festival. I would highly recommend checking them out if the opportunity presents itself.
We made our way back to the main festival ground after Matisyahu, to catch Umphree's McGee. Umphree's McGee is one of those bands that I've had many opportunities to see over the last couple of years, but I never bothered to check them out. Umphree's McGee remind me of a cross between a straightforward jam band such as Phish or Moe and a progressive rock outfit such as Yes or Rush. They've got talent to burn. This is another band I would recommend checking out if the opportunity arises. The highlight of the set for me was their cover of Steely Dan's Hey 19.
The Wakarusa organizers set up the first real tough choice for me after the Umphree's McGee set. They had Railroad Earth and the North Mississippi Allstars playing at the same time. Since I've seen the Allstars a number of times, I decided to check out Railroad Earth. Railroad Earth is an east coast based bluegrass outfit. I probably owe them another listen, but I wasn't as impressed with Railroad Earth as I was with some of the other bluegrass bands that played the festival such as Splitlip Rayfield, the Hackensaw Boys, the Hot Buttered Rum String Band, and the Old Crow Medicine Show.
We finished the day up with Ozomatli. Ozomatli is a huge, latin, hip-hop band out Los Angles. I'm not familiar enough with Ozomatli to comment too much on their set, but they bring the same kind of energy into play that Robert Randolph does to his shows. The music was good and they ended their set by filing out into the crowd to form a giant conga line while their roadie's disassembled their equipment on stage. This is another band that I will check out if they come around the Dallas area.
We headed of the festival out to the sounds of the String Cheese Incident playing Best Feeling on another stage. It was a pretty good way to end the day. Patrick's take on the first day of the festival are out on the Betamax Guillotine.
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